Small Paintings
HAND PAINTED PICTURES by Ingo Meller, Louise Fishman, Juan Uslé, Richmond Burton, Joan Mitchell, Mary Heilmann, Bill Jensen, Jack Pierson, Dona Nelson, Eva Hes July 1 – 31, 1998
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SMALL PAINTINGS:
HAND PAINTED PICTURES by

Ingo Meller   Louise Fishman   Juan Uslé   Richmond Burton  
Joan Mitchell   Mary Heilmann   Bill Jensen   Jack Pierson  
Dona Nelson   Eva Hesse   Philippe Richard   Lynda Benglis


From July 1st to July 31st, 1998 the Cheim & Read Gallery will present SMALL PAINTINGS: Hand Painted Pictures.  The artists in this exhibition are connected by their commitment to the handmade picture.  Their paintings are characterized by a non-representational, non-ironic, non-narrative, non-sociopolitical position.  The intimacy of these works allows for a notable presence of the hand, and for an unmediated direct gesture.  Their smallness demands close inspection.

While all the artists here defend the viability of painting, their intentions range from the belief in formal and material beauty as seen in a Mitchell, Meller, Heilmann, Burton, or an Uslé, to the sexual and visceral undercurrents evident in a Pierson, Benglis, Jensen or Hesse. The legitimacy of painting as an autonomous discipline is unquestioned.

There will be an opening for the exhibition on Wednesday evening, July 1st, 1998 from 6 to 8 pm.  

SMALL PAINTINGS:

HAND PAINTED PICTURES by

Ingo Meller Louise Fishman Juan Uslé Richmond Burton
Joan Mitchell Mary Heilmann Bill Jensen Jack Pierson
Dona Nelson Eva Hesse Philippe Richard Lynda Benglis


From July 1st to July 31st, 1998 the Cheim & Read Gallery will present SMALL PAINTINGS: Hand Painted Pictures. The artists in this exhibition are connected by their commitment to the handmade picture. Their paintings are characterized by a non-representational, non-ironic, non-narrative, non-sociopolitical position. The intimacy of these works allows for a notable presence of the hand, and for an unmediated direct gesture. Their smallness demands close inspection.

While all the artists here defend the viability of painting, their intentions range from the belief in formal and material beauty as seen in a Mitchell, Meller, Heilmann, Burton, or an Uslé, to the sexual and visceral undercurrents evident in a Pierson, Benglis, Jensen or Hesse. The legitimacy of painting as an autonomous discipline is unquestioned.


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Louise Fishman at 192 Books
May 19, 2016
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Louise Fishman Retrospective
April 3, 2016

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